<\/span><\/h2>\n\n\n\nThere is no right way of good fretting hand technique, but the following might help you adopt a better approach. Once you are clear about the plucking hand technique, it is important to strive for a relaxed hand to produce a clear as well as a consistent tone.<\/p>\n\n\n\n
These are possible only through the use of efficient emotions and takes some time to develop. It is better to focus on the aspect of awareness of different points while playing.<\/p>\n\n\n\n
1. Finger Numbering<\/strong>: Like plucking, here the fingers can be numbered as 1 for the index finger, 2 for the middle finger, 3 for the ring finger and 4 for the pinky finger.<\/p>\n\n\n\n2. Fingernails<\/strong>: It is again important that your fingernails are trimmed and short.<\/p>\n\n\n\n3. Avoid injuries<\/strong>: While playing the bass, musicians are definitely prone to get injured. However, it is important to keep the wrists straight. Fingertips would definitely hurt a little in the early days, but you should have a close look and ensure you do not feel shooting pains in the wrists.<\/p>\n\n\n\n4. Arm positioning<\/strong>: It\u2019s better to keep your hands relaxed at your side and avoid any tension in the shoulders. Make sure you don\u2019t rest the elbow of the leg when you are practicing while sitting down.<\/p>\n\n\n\n5. Thumb Placement<\/strong>: Placing the thumb on the middle of the back of the neck is a good idea when it comes to a better thumb placement. You should let it hang around the top of the neck. The thumb should be placed in a manner that it points towards the ceiling and is straight and flat.<\/p>\n\n\n\n6. Avoid touching the neck\u2019s underside<\/strong>: It is very important that your palm doesn\u2019t touch the underside of the neck. You must ensure there is ample spacing in between. With increased friction against the neck, it is bound to slow you down and result in accidental muting of the highest string.<\/p>\n\n\n\n7. Single Finger for every Fret<\/strong>: Most bassists would advise you using one-finger-per-fret allowing you to cover all the fingers and a span of 4 frets of the fretboard.<\/p>\n\n\n\n<\/span>Mastering Legato and Staccato<\/span><\/h2>\n\n\n\nLastly, it is very important to understand the concepts of legato and staccato. Although, it takes time, learning it quickly can have a drastic impact on the sound produced.<\/p>\n\n\n\n
To understand this, it would be a wise idea to listen to several recordings and paying attention to the length of each note. While doing so, you should ask yourself if they are playing legato or staccato.<\/p>\n\n\n\n
To understand the difference, try playing the same as legato and then again staccato. You will surely experience a change of sound of the bassline. Usually, several guitarists use a range of legato and staccato notes throughout their sessions. It highly contributes towards the overall effectiveness to the bassline.<\/p>\n","protected":false},"excerpt":{"rendered":"
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